![]() Hoberman is also cognizant of next year’s Emmy possibilities. John Debney’s Emmy-winning main title for “seaQuest DSV” (1993-94) lasted another year before being replaced in 1995, and Mark Isham’s Emmy-nominated theme for “Chicago Hope” (1994-95) was replaced - but by Isham himself, who received another nomination for his second “Chicago Hope” theme in 1995-96. (The vast majority of Emmy-nominated themes have been for cancelled series.) In the 15 years since the category was inaugurated in 1988, no switcheroo situation like this has arisen. “If there’s one thing an obsessive-compulsive person doesn’t like, it’s change.” “Monk wouldn’t like this,” he says with a laugh. Movie Theme, but he’s not right for all occasions.”Īnd Beal, whose music for “Pollock” was widely praised and who recently won an Emmy for music in the NBC Sports documentary “Peggy and Dorothy,” is bummed. That jazzy, breezy, quirky theme was a perfect marriage of a theme to a character.” Newman, he adds, “is Mr. Says New York Daily News critic David Bianculli: “As much as I love Randy Newman, this wasn’t something that was broke that needed fixing. Several critics took issue with the change. Tinkering with music in a popular series is always risky. There are already Internet petitions to drop the Newman song and reinstate Beal’s guitar theme over the opening credits. The tune became an immediate favorite with fans. “It’s like Monk in the sense that, when he fixates on something, his obsession becomes at the expense of everything else.” “I was consciously trying to write what I would describe as a catchy, almost annoyingly memorable melody,” he says. ![]() It was one of five he submitted to the producers. Beal’s acoustic-guitar theme was inspired by a piece of music (by guitarist Django Reinhardt) that was in the pilot’s early “temp” score.
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